Why I Finger Paint

As I was getting sober and making changes in my life, my art needed to evolve too. After 25 years of using brushes, I set them aside because I wanted a pure, unfiltered connection between me and the canvas. Finger painting stripped away the distance, allowing me to put acrylic directly onto the surface with my hands.

It became like a carving, where I needed to remove or adjust things as I worked with the elements. Every stroke is an immediate externalization of my internal struggles and emotions, transforming my creative process into a more raw authentic relationship with the canvas. The rhythm of the moment guides my every stroke.

Working without tools keeps the focus on tactile expression and allows my instinct to build deep layers through vibrant bursts of color, capturing the subjects’ character and emotional strength through my hands straight onto the canvas.

An artist in a plaid shirt is painting on an easel in an art gallery. The wall behind them displays various colorful portraits and artworks. A disco ball hangs from the ceiling.
A person with a beard and wearing a black shirt is standing next to an abstract painting with vibrant yellow, red, purple, blue, and black colors. The person is in an indoor setting.
An artist painting outdoors on a sidewalk, with art supplies and colorful paintings visible, in front of a storefront with large windows and clothing displays.
Man standing outside of an art gallery or studio with a colorful art poster behind him. The poster features the name Darryl Suess and mentions 25 years of creation. The man is wearing a gray shirt with red writing and has a beard. There is a black stand with a white logo or sign reading 'CALUZ' in front of him.